"Kakuan first tried the unconscious language because that is the deepest: he painted these ten bulls. But he felt dissatisfied. Then he wrote ten poems as a supplement, as an appendix. Poetry is mid-way between the unconscious and the conscious: a bridge, a misty land where things are not absolutely in the dark and are not absolutely in the light – just somewhere in the middle. That’s why where prose fails, poetry can indicate. Prose is too superficial; poetry goes deeper. Poetry is more indirect but more meaningful, richer.

"But still Kakuan felt dissatisfied, so he wrote prose commentaries.

"First he wrote the language of the unconscious, the language of painters, sculptors, dreamers; then he wrote the language of the poets, the bridge between the unconscious and the conscious – of all art. And then he wrote the language of logic, reason, Aristotle – the conscious. That’s why I say such an experiment is unique; nobody else has done that. Buddha talked in prose. Meera sang in poetry. Unknown painters and sculptors have done many things – Ajanta, Ellora, the Taj Mahal. But a single person has not done all three things together." Osho